Is error a blessing or a curse?

For GraceANN Cummings this question enables her to paint God’s mistake.  
Her work connects viewers to a divided “front-side-only” perspective necessarily associated with the limitations of conscious observation
that dance, bounce and interact with the natural, unending motion of consciousness.
Cummings primarily uses the ancient 2-D form so that she can introduce TIME and its brokenness as part of her art.
Specifically, Cummings is introducing Time-that-is-Error, but not with its assumed negative connotation; rather
​ Cummings expresses the error of motion and its association with Innocence.